在互为备胎的两个世界里，潘金莲有着同样的一个你却并不是你。"Do you think it's possible to truly love someone without ever knowing who they really are? Maybe we don't love someone for they really are. Maybe love is seeing them for who they'd rather be. "
3.75/5 The second instalment in the trilogy sees Hulot traversing between the rustic old neighbourhoods and a futuristic landscape marked by ultra-modern houses, automobiles and modern household gadgets. Tati, through his brilliant cinematography, lampoons the histrionics and madness brought by consumer capitalism and laments the disappearance of
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小饭饭。
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